|Ukoncete prosim, vystup a nastup, dvere se zaviraji|
All the tramlines are loops though. The voice may say the end of the line but in reality the tram simply turns around and goes back the way it came. In this case through the reversiverse - the afterlife where you have to go through the decisions and, more importantly, the opinions of life - you go back along the tramtrack seeing the same things in reverse. The extended self of all possible probable 4 dimensional selves constitute the total tramloops.
Although it might appear that the number of probable 4 dimensional selves is infinite, since it is based on a binary choice of yes or oops in any individual planck moment it is finite. In reality most of these tramloops do not adhere or subsist in time and the number of robust loops for any given self is probably a more manageable number. The reason that the loops do not subsist is because a group of individual yes or oops! decisions played out in a variety of ways all lead to the same event in aggregate. The versions that do subsist may be as low as fourteen, playing out varieties of the dominant seven planetary kingships and transpositions - a poor self, a rich self, a wise self, a stupid self, fertile, barren, at peace, in war, etc. - together this would constitute a kind of temporal structure in the 4th dimension, like we see structuring in the clusters of galaxies and so on.
The act of magick is in itself a deviation. Like breaking out of established loops like eating, breathing, digesting or sweating breaking out of a timeline is not completely safe. Try to deviate in a non-robust branching moment and your tram is likely to derail. Timing is everything. And you can't deviate for long, you will have to successfully navigate to that other line.
From the perspective of our fifth dimensional level of higher-self, our hypersphere, the part that experiences all possible probabilities, it seems the tram does not move so much as the lines move through the tram, the fifth dimensional self never leaving the tram of physical sensation/perception/intelligibility but simply guiding which lines move through it. You are not engineering the universe, you are selecting a route through it.
Infinite cosmic power, itty bitty living space.
Aladdin, Musker and Clements